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LEVEL 4 DIPLOMA ASSIGNMENT SUBMISSION FORM.
This form is intended exclusively for recording results and assessing diploma assignments.
The assignments listed in this form do not replace the current curriculum or lesson plans.
This form does not exempt the instructor from carrying out ongoing planned coursework. Please ensure a careful balance between your regular teaching duties and the preparation of these diploma assignments.
For your convenience, this form may be copied and pasted into the studentβs logbook, where you can then add the necessary links to videos and photographs of the completed work.
_______________________________________
Each type of assignment must be submitted in a separate post.
______________________________________
Post 1
Photograph of the studentβs registration certificate.
Name, age.
Level 4
Level 3 logbook: /link/
Participation in concerts:
- Butterfly Ball: /link/
- End-of-term/Year-end recital: /link/
_____________________________________
Post 2
EXERCISES.
Ganon No. 1 with accompaniment
/link to video/
Ganon No. 2 with accompaniment
/link/
Ganon No. 3 with accompaniment
/link/
Ganon No. 4 with accompaniment
/link/
Ganon No. 5 with accompaniment
/link/
Ganon No. 6 with accompaniment
/link/
Ganon No. 7 with accompaniment
/link/
Ganon No. 8 with accompaniment
/link/
Ganon No. 9 with accompaniment
/link/
Ganon No. 10 with accompaniment
/link/
Scale E major
straight
/link/
divergent
/link/
Triads and their inversions
Short arpeggios
/link/
Long arpeggios
/link/
Scale C sharp minor
natural
/link/
harmonic
/link/
melodic
/link/
Triads and their inversions
/link/
Short arpeggios
/link/
Long arpeggios
/link/
Scale A-flat major
straight
/link/
divergent
/link/
Triads and their inversions
/link/
Short arpeggios
/link/
Long arpeggios
/link/
Gamma F minor
natural
/link/
harmonic
/link/
melodic
/link/
Triads and their inversions
/link/
Short arpeggios
/link/
Long arpeggios
/link/
_______________________________________
Post 3
Studies for the eyes. Lines.Β P2, 4, 5, 6
/Photo of the results table for all etudes/
Lines: 5, 6, 7, 8
/1 video of any etude from all presentations/
Spaces: 5, 6, 7, 8
/1 video of any etude from all presentations/
SIGHT-READING in P4, 5, 6
Album: Musical Pictures Level 3.0
/Photo of the results table/
P4
/link to video/
P5
/link to video/
P6
/link to video/
Album: Musical Pieces Level 3.1
/Photo of the results table/
P4
/link to video/
P5
/link to video/
P6
/link to video/
Album: Pieces and Etudes 1 Level 3.2
/Photo of the results table/
P4
/link to video/
P5
/link to video/
P6
/link to video/
Album: Classical Dances Level 3.3
/Photo of the results table/
P4
/link to video/
P5
/link to video/
P6
/link to video/
Album: Simona's Repertoire 4 Level 3.4
/Photo of the results table/
P4
/link to video/
P5
/link to video/
P6
/link to video/
_______________________________________
Post 4
EAR TRAINING AND MUSIC DICTATION.
Learning to work with digital musical notation.
1. Melody for the right hand, consisting of quarter notes.
/video and PDF file/
2. Melody for the right hand, consisting of half notes in 4/4 time.
/video and PDF file/
3. Melody for the right hand, consisting of quarter and eighth notes in 4/4 time.
/video and PDF file/
4. Melody for the right hand, consisting of half, quarter, eighth, and sixteenth notes in 4/4 time.
/video and PDF file/
5. Melody for the right hand, consisting of quarter notes in 3/4 time.
/video and PDF file/
6. Melody for the right hand, consisting of eighth, quarter, and half notes in 3/4 time.
/video and PDF file/
"Solfeggio & Chords 1: Minor A" Album β 1.1
Transcribing a melody from memory. Rhythmic patterns.
/1 video; the rest are photos of all the songs/
A Song,Β On the Hill,Β Whose are you?,Β Kitti
"Solfeggio & Chords 1: Minor A" Album β D, Bb, A, and Eb Major.
"Behind the Passing," "Beyond the Grove," "Maryβs Gone," and "Sun is Low" in D, Bb, A, and Eb Major.
1 video of the song in the listed keys: RH - musical notation - LH/
/photos of all songs/
"Solfeggio and Chords 2: Minor" albums
"Headache," "Roaring," and "Donβt Tempt" in the keys of B, G, F#, and C
/1 video of the song in the listed keys: RH - musical notation - LH/
/photos of all songs/
________________________________________
Post 5
MUSIC THEORY.
Structure of the major scale.
/link to video/
Sequence of sharps and flats in the key signature (to be memorized):
/link to video/
Sequence of sharps in the key signature, demonstrated on the keyboard:
/link to video/
Notating sharps in the key signature:
/link to video/
Sequence of flats in the key signature, demonstrated on the keyboard:
/link to video/
Order of writing flats in the key signature:
/link to video/
Determining the names of major keys with sharps:
/link to video/
Structure of the natural minor scale. Constructing a natural minor scale starting on 
/link to video/
Harmonic and melodic minor scales:
/link to video/
Constructing harmonic and melodic minor scales starting on 
/link to video/
Relative keys (with sharps)
Keys.
/video link/
Determining the name of the minor scale parallel to the major using the Butterfly key
/video link/
_____________________________________________
Post 6
HISTORY OF MUSIC
The creation of sheet music by Guido of Arezzo.
1. Hymn to St. John.
/video link/
2. Gregorian Chant
/video link/
BAROQUE ERA.
School of strict writing.
School of free writing.
Johann Pachelbel
Classical Masterpieces 9.0 J. Pachelbel Canon in D
Arcangelo Corelli
Classical Dances 3.3 A. Corelli Sarabanda
Georg Philipp Telemann
Simona's Repertoire 2 1.4 G. Telemann A Piece
Simona's Repertoire 3 2.2 G. Telemann Arioso
Simona's Repertoire 3 2.2 G. Telemann Gavotte
Simona's Repertire 4 3.4 G.P. Telemann Fantasia
Musical Pieces 3.1 G.P. Telemann Rigaudon
Piano Repertoire 4 Full 8.0 G.P. Telemann Fantasia in E Minor
Jean-Philippe Rameau
Musical Pictures 3.0 J.Ph. Rameau Tambourine
Burgmueller 6.4 J.P. Rameau Rondino
Domenico Scarlatti
Piano Repertoire 4 Full 8.0 D. Scarlatti Aria in D Minor
Friedrich Handel
(1 video, the rest are screenshots)
Favorite Classics 2 Level 2.0: Hallelujah Chorus
Christmas Classic 1.1: Joy to the World
Simona's Repertoire 3 Level 2.2: Gavotte
Simona's Repertire 4 Level 3: Impertinence
Pieces and Etudes 2 Level 5.2: Gavotte in G Major (teaser)
Piano Repertoire 4 Full 8.0: BourrΓ©e in G Major (teaser)
Antonio Vivaldi
Spring (teaser)
/video link/
J.S. Bach.
The Well-Tempered Clavier. Listening and familiarization.
Prelude and Fugue in C minor.
/video link/
Prelude in C minor (teaser).
/video link/
Fugue in C minor (teaser)
/video link/
Invention in C major (teaser)
/video link/
Invention in D minor (imitation, teaser)
/video link/
Invention in F major (canon, teaser)
/video link/
____________________________________________
Post 7
Pieces for improvement should be reflected in the concert links.
________________________________________
Post 8
Level 4 plans completed, diary closed.
Read More...
SUBMISSION FORM FOR LEVEL 3 FINAL ASSIGNMENTS.
This form is intended exclusively for recording results and evaluating final projects.
The assignments listed in this form do not replace the ongoing curriculum.
This form does not exempt the instructor from carrying out regular planned coursework. Please ensure a careful balance between your ongoing teaching responsibilities and the preparation of these final assignments.
For your convenience, this form may be copied and pasted into the studentβs logbook, where you can then add the necessary links to videos and photographs of the completed work.
_______________________________________
Each type of assignment must be submitted as a separate post.
______________________________________
Post 1
Photograph of the studentβs registration certificate.
Name, age.
Level 3
Level 2 logbook: /link/
Participation in concerts:
- Butterfly Ball: /link/
- End-of-term/Year-end recital: /link/
_____________________________________
Post 2
EXERCISES.
Ganon #1 in Duet
/video link/
Ganon #2 in Duet
/link/
Ganon #3 in Duet
/link/
Ganon #4 in Duet
/link/
Ganon #5 in Duet
/link/
Ganon #6 in Duet
/link/
Ganon #7 in Duet
/link/
Ganon #8 in Duet
/link/
Ganon #9 in Duet
/link/
Ganon #10 in Duet
/link/
A Major Scale
straight
/link/
diverging
/link/
Triads and its appeals
/link/
Short arpeggios
/link/
Long arpeggios
/link to video/
Gamma F sharp minor
natural
/link/
melodic
/link/
harmonic
/link/
Triads and their inversions
/link/
Short arpeggios
/link/
Long arpeggios
/link/
Scale E-flat major
straight
/link/
divergent
/link/
Triads and their inversions
/link/
Short arpeggios
/link/
Long arpeggios
/link/
Scale C minor
natural
/link/
melodic
/link/
harmonic
/link/
Triads and their inversions
/link/
Short Arpeggios
/link/
Long Arpeggios
/link/
______________________________________
Post 3
LISTENING TO MUSIC AND FAMILIARIZATION.
Videos and screenshots should be in a 50/50 ratio.
1. On the Beautiful Blue Danube. Strauss.
/link/photo/
2. Serenade. Schubert.
/link/photo/
3. Passacaglia. Handel
/link/photo/
4. Spanish Dance from the ballet The Nutcracker. Tchaikovsky
/link/photo/
5. Final March of the Marionette. Gounod
/link/photo/
6. Song of India. Rimsky-Korsakov
/link/photo/
7. Siciliana. Bach
/link/photo/
8. Waltz. Brahms
/link/photo/
9. Heavenly Aida. Verdi
/link/photo/
___________________________
Post 4
EAR DEVELOPMENT AND MUSICAL DICTATIONS.
Revolutions 1-18
/1 video in C, G, F/
/photo of all revolutions in C, G, F/
Suliko, Song, In the Smithy, Donkey in C, G, and F.
/1 video of songs in the following keys: RH - notated - LH/
/photo of all songs in C, G, and F/
Kerchief, Song, My Cow, Nightingale; Separation, The Girl, Mom, Theme from Swan Lake (in the keys of A, E, and D)
/1 video of the songs in the listed keys: Right Hand (RH) β sheet music notation β Left Hand (LH)/
/Photos of all the songs in the keys of A, E, and D/
_____________________________________
Post 5
GAMES & EXERCISES
Complete all the gamesβusing both symbols and letter-based note notationβwithin 20 minutes of total playtime (5 minutesΒ Guess Key)
(Task marked with an asterisk *: Guess the musical key with the screen hidden β 3 minutes)
Please provide screenshots from the program showing the final results for each game.
__________________________________________
Post 6
SIGHT-READING
"Etudes for the Eyes"Β βΒ P 2, 4, 5, 6.
/Photo of a table with results/
Lines 1, 2, 3, 4
/Link to a videoβavailable in the presentation for any of these etudes/
Spaces 1, 2, 3, 4
/Link to a videoβavailable in the presentation for any of these etudes/
Favorite Classics 2Β Level 2.0 β P2, 4, 5, 6.
/Photo of a table with results/
P2
/Link to video/
P4
/Link to video/
P5
/Link to video/
P6
/Link to video/
Favorite Classics 3Β Level 2.3
/Photo of a table with results/
P2
/Link to video/
P4
/Link to video/
P5
/Link to video/
P6
/Link to video/
Boogie 2Β Level 2.1
/Photo of a table with results/
P2
/Link to video/
P4
/Link to video/
P5
/Link to video/
P6
/Link to video/
______________________________________
Post 7
MUSIC THEORY
Worksheets for the Great Octave:
/Photos of all pages/
Test
/Link to a video of the last 2 lines/
Working with flashcards:
Bass clef notes.
- Working with single notes: with and without ledger lines.
/link to video/
- Working with bass clef flashcards featuring double notes (with ledger lines): naming the notes and the number of keys between them.
/link to video/
Musical Alphabet: Round 3.
/link to video/
________________________________________
Post 8
Pieces intended for skill refinement should be reflected in the concert links.
__________________________________________
Post 9
Level 3 plans completed; logbook closed.
Read More...
LEVEL 2 FINAL ASSIGNMENT SUBMISSION FORM.
This form is intended exclusively for recording the results of and evaluating final assignments.
The assignments listed in this form do not replace the current curriculum or lesson plans.
This form does not exempt the instructor from carrying out ongoing work as per the established curriculum. Please ensure a careful balance between your regular teaching activities and the preparation of these final assignments.
For your convenience, this form may be copied and pasted into the studentβs progress journal, where you can then add the necessary links to videos and photographs of the completed work.
_______________________________________
Each type of assignment must be submitted in a separate post.
______________________________________
Post 1
Photograph of the studentβs registration certificate.
Name, age.
Level 2
Level 1 progress journal: /link/
Participation in concerts:
- Butterfly Ball: /link/
- End-of-term/Year-end recital: /link/
_____________________________________
Post 2
EXERCISES.
Hanon No. 1
/link/
Hanon No. 2
/link/
Hanon No. 3
/link/
D Major Scale
parallel motion
/link/
contrary motion
/link/
Triads and inversions
/link/
Short arpeggios
/link/
Long arpeggios
/link/
B Minor Scale
natural
/link/
harmonic
/link/
melodic
/link/
Triads and inversions
/link/
Short arpeggios
/link/
Long arpeggios
/link/
Bb Major Scale
parallel motion
/link/
contrary motion
/link/
Triads and inversions
/link/
Short arpeggios
/link/
Long arpeggios
/link/
G Minor Scale
harmonic
/link/
melodic
/link/
Triads and inversions
/link/
Short arpeggios
/link/
Long arpeggios
/link/
______________________________________
Post 3
Listening to music and exploring masterpieces of world classical music.
Videos and screenshots should be in a 50/50 ratio.
1. In the Hall of the Mountain King β E. Grieg
/link to video/ or /screenshot/
2. Sonata No. 17 (3rd movement) Beethoven
/link to video/ or /screenshot/
3. Chinese Dance (teaser) from the ballet *The Nutcracker*. Tchaikovsky.
/link to video/ or /screenshot/
4. The Barber of Seville (teaser).
/link to video/ or /screenshot/
5. FΓΌr Elise, Beethoven (teaser)
/link to video/ or /screenshot/
6. Wedding March. F. Mendelssohn
/link to video/ or /screenshot/
7. Barcarolle. Offenbach
/link to video/ or /screenshot/
8. Military March. Schubert (teaser)
/link to video/ or /screenshot/
9. Lullaby. Brahms
/link to video/ or /screenshot/
_____________________________________
Post 4
SIGHT-READING
AlbumΒ Favorite Classics 1 Level 1.2
/Photo of a table showing the results for all 14 pieces from the album/
Π 2
/link to video/
Π 4
/link to video/
Π 5
/link to video/
Π 6
/link to video/
Christmas Carols Album 1.0
/Photo of a table showing the results for all 8 pieces from the album/
Π 2
/link to video/
Π 4
/link to video/
Π 5
/link to video/
Π 6
/link to video/
Christmas Classics Album 1.1
/Photo of a table showing the results for all 12 pieces from the album/
P2
/link to video/
P4
/link to video/
P5
/link to video/
P6
/link to video/
______________________________________
Post 5
TRAINING GAMES
All games have a 15-minute playtime, except for "Guess the Key," which has a 4-minute playtime.
Table of game progress/results (photo from a notebook)
Screenshots from the program showing the final results for each game.
_______________________________________
Post 6
SMALL OCTAVE WRITING EXERCISES
(photo of all pages)
Test
(link to a video of the last 2 lines)
______________________________________
Post 7
WORKING WITH FLASHCARDS
1. Bass clef notes with directional markers (notches):
/link to video/
2. Bass clef notes without markers (for speed):
/link to video/
3. Intervals. Identification with visual support:
/link to video/
_______________________________________
Post 8
EAR TRAINING AND MUSICAL DICTATION.
Transcribing melodies from memory and selecting chords in C, G, and F.
"The Train," "Little Ducklings," "Zhuchka," "Spring Has Come," "Grey Geese," "Millet," "At the Summit."
1. Playing with the right hand (RH) covered/hidden:
/1 video in C, G, and F/
/photo of a table with the results/
2. Notating the music:
/1 video in C, G, and F/
/photo of all the songs in C, G, and F/
3. Playing with the left hand (LH) covered/hidden:
/1 video in C, G, and F/
/photo of a table with the results in C, G, and F/
______________________________________
Post 9
Transcribing melodies from memory and selecting chords in A minor, E minor, and D minor.
"The Godmother," "The Quail," "The Birch Tree," "In the Garden," "Luanchiku," "Be Well."
1. Playing with the right hand (RH) in a closed position:
/1 video in a, e, d/
/remaining photos of the results table in a, e, d/
2. Musical notation:
/1 video in a, e, d/
/photos of all songs in a, e, d/
3. Playing with the left hand (LH) in a closed position:
/1 video in a, e, d/
/photos of the results table in a, e, d/
_______________________________________
Post 10
IDENTIFYING CHORDS: S, L, LH
/photo of the results table/
Albums:
Solfeggio Chords 1 Major CΒ 1.0
Solfeggio Chords 1 Major GΒ 2.0
Solfeggio Chords 1 Major F 3.0
Albums:
Solfeggio Chords 1 Minor AΒ 1.1
Solfeggio Chords 1 Minor EΒ 2.1
Solfeggio Chords 1 Minor D 3.1
________________________________________
Post 11
MUSIC THEORY
The Musical Alphabet β 2nd Cycle
/link to a video featuring a digital textbook or Soft Mozart learning materials in the background/
____________________________________
Post 12
Pieces intended for skill refinement should be referenced in the concert links.
______________________________________
Post 13
Level 2 plans completed; progress journal closed.
Read More...
LEVEL 1 FINAL ASSIGNMENT SUBMISSION FORM.
This form is intended exclusively for recording results and evaluating final assignments.
The assignments listed in this form do not replace the ongoing curriculum.
This form does not exempt the instructor from carrying out regular planned coursework. Please ensure a careful balance between your ongoing teaching responsibilities and the preparation of these final assignments.
For your convenience, this form may be copied and pasted into the studentβs logbook, where you can then add the necessary links to videos and photographs of the completed work.
_______________________________________
Each type of assignment must be presented in a separate post.
______________________________________
Post 1.
Photograph of the studentβs registration certificate.
Name, age.
Level 1
Level C Logbook: /link/
Participation in concerts:
- Butterfly Ball: /link/
- End-of-term/Year-end Recital: /link/
_______________________________________
Post 2.
EXERCISES.
Kolobok (The Little Gingerbread Man). (link to video)
Hanon No. 1
(link to video)
G Major scale
parallel motion
(link to video)
contrary motion
(link to video)
G Major triads and their inversions
(link to video)
G Major short arpeggios
(link to video)
G Major long arpeggios
(link to video)
E minor scale
natural
(link to video)
harmonic
(link to video)
melodic
(link to video)
E minor triads and their inversions
(link to video)
E minor short arpeggios
(link to video)
E minor long arpeggios
(link to video)
F Major scale
parallel motion
(link to video)
contrary motion
(link to video)
F Major triads and their inversions
(link to video)
F Major short arpeggios
(link to video)
F Major long arpeggios
(link to video)
D minor scale
natural
(link to video)
harmonic
(link to video)
melodic
(link to video)
D minor triads and their inversions
(link to video)
D minor short arpeggios
(link to video)
D minor long arpeggios
(link to video)
____________________________________
Post 3
MUSIC LISTENING AND FAMILIARIZATION.
Videos and screenshots in a 50/50 ratio (minimum of 9 pieces)
1. Toccata and Fugue in D minor β Bach
(link to video and screenshot)
2. Dance of the Hours
(link to video and screenshot)
3. Arabian Dance β Tchaikovsky
(link to video and screenshot)
4. Dance of the Sugar Plum Fairy
(link to video and screenshot)
5. Hungarian Dance β Brahms
(link to video and screenshot)
6. Polovtsian Dances
(link to video and screenshot)
7. Morning β Grieg
(link to video and screenshot)
8. Radetzky March β Strauss
(link to video and screenshot)
9. Jesu, Joy of Man's Desiring β Bach
(link to video and screenshot)
10. PathΓ©tique Sonata β Beethoven
(link to video and screenshot)
_______________________________________
Post 4
WRITING EXERCISES: SECOND OCTAVE
(photos of all pages)
Test
(link to a video of the last 2 lines)
________________________________________
Post 5
EAR TRAINING.
MUSICAL DICTATION AND TRANSCRIBING MELODIES FROM MEMORY.
Musical dictation 1, 2, 3, 4, 5, 6
(photos of all dictation exercises)
Test No. 7
(link to video)
Hot Cross BunsΒ β musical notation
(photo of the result)
French Song β musical notation (photo of the result)
"Surprise" Symphony. Haydn. Notated version
(link to video)
"Zhuchka" (Little Dog) β C, G, F. Notated version
(photo of the result)
"Spring Has Come" β C, G, F. Notated version
(link to video: playing with RH3)
(link to video: notating the melody using shorthand notation)
"Old MacDonald." Notated version
(link to video: playing with RH3 and solfège)
(link to video: notating using the shorthand method)
"Away in a Manger." Notated version
(link to video: playing with RH3 and solfège)
(link to video: notating using the shorthand method)
Solfège + RH3
1. Hey Diddle Diddle
(link to video)
2. Hickory Dickory Dock
(link to video)
3. Lazy Mary
(link to video)
4. Little Dog Gone
(link to video)
5. Pop! Goes the Weasel
(link to video)
6. This Old Man
(link to video)
______________________________________
Post 6.
Selecting chords for the left hand (LH).
Flute solo
(link to video)
Sensitive touch
(link to video)
______________________________________
Post 7.
TRANSPOSITION.
Hot Cross Buns in Major
(link to video)
Hot Cross Buns in Minor
(link to video)
Transposing Maid of Honor Level 0.5.1
(photos of results from the software in all keys)
(link to video)
________________________________________
Post 8.
Working with music flashcards:
- Treble clef notes with directional markers (indicators)
(link to video)
- Treble clef notes without markers (for speed practice)
(link to video)
_______________________________________
Post 9
SIGHT-READING in Levels 2, 4, 5 and 6
"First Steps" Album 0.1
(Table with photos of results for all pieces)
Π 2
(link to video)
Π 4
(link to video)
Π 5
(link to video)
Π 6
(link to video)
"Nursery Songs 1" Album, Level 0.2
(Table with photos of results for all pieces)
Π 2
(link to video)
Π 4
(link to video)
Π 5
(link to video)
Π 6
(link to video)
Anybody Can Play Soft Mozart Level 1.5
(Table with photos of results for all pieces)
Π 2
(link to video)
Π 4
(link to video)
Π 5
(link to video)
Π 6
(link to video)
______________________________________
Post 10
TRAINING GAMES
Each game lasts 10 minutes of playtime, with the exception of "Guess the Key," which lasts 3 minutes.
A table showing the progress of the games (photo from a notebook).
Screenshots from the software showing the final results for each game.
_______________________________________
Post 11
MUSIC THEORY.
The Realm of Mode and Harmony β developing a sense for modal and harmonic relationships.
Reinforcing modal tendencies through practical application. Constructing a scale using the major scale formula.
C Major scale with butterflies:
(link to video)
D Major scale with butterflies:
(link to video)
E Major scale with butterflies:
(link to video)
F Major scale with butterflies:
(link to video)
G Major scale with butterflies:
(link to video)
A Major scale with butterflies:
(link to video)
B Major scale with butterflies:
(link to video)
Addendum to correspondence #3.
(link to video: Game "L" from the program)
Addendum to correspondence #4.
1. Introduction to melodic and harmonic intervals, using the dominant and tonic seconds as examples. Developing playing skills.
2. Reinforcing the concept of the tonic triad.
(link to video)
Reinforcement: D2 (dominant second) and T2 (tonic second) β harmonic and melodic intervals (with explanation).
(link to video)
Addendum to correspondence No. 5
1. Reinforcing the concept of the tonic fifth. Developing playing skills. 2. Reinforcing the concepts of melodic and harmonic intervals, using the second (between the 3rd and 4th scale degrees) and the fifth (between the 1st and 5th scale degrees) as examples. Performance skills.
(link to video)
Addendum to Letter No. 6
1. Formation of the deceptive cadence (interrupted progression)
2. The role of the 6th scale degree
(link to video)
Letter No. 10. The major scale formula (review). Intervals.
(link to video)
Letter No. 11. The "magic" formula for the minor scale. Intervals: minor 2nd, major 2nd, minor 3rd, major 3rd, perfect 4th, perfect 5th.
(link to video)
Letter No. 12. Harmonic and melodic minor scales. Tetrachords.
(link to video)
Letter No. 13. The first cycle of the "Musical Alphabet" (MA).
(link to video)
Letter No. 14. Primary and stable scale degrees (tonal degrees).
(link to video)
Letter No. 15. The second cycle of the "Musical Alphabet."
(link to video)
Letter No. 16. Writing the treble and bass clefs.
(link to video)
Letter No. 17. About Guido of Arezzo β the creator of musical notation and the symmetrical staff system.
(link to video)
Letter No. 18. Playing the dominant seventh chord (D7) with resolution to the 6th scale degree. Practical review of the deceptive cadence.
(link to video)
Letter No. 19. The third cycle of the "Musical Alphabet" (MA).
(link to video)
Letter No. 20. Accidentals (signs of alteration).
(link to video)
The Musical Alphabet. First Round
(link to a video with the digital textbook *SM* in the background β memorized)
__________________________________________
Post 12
Pieces intended for refinement should be referenced in the concert links.
__________________________________________
Post 13
Level 1 plans completed; logbook closed.
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ΠΠΎΠ΄Π±ΠΎΡ ΠΏΠΎ ΡΠ»ΡΡ
ΡΒ
ΠΠΎΠ΄Π±ΠΎΡ Π°ΠΊΠΊΠΎΡΠ΄ΠΎΠ²Β Oh, on the Top
youtu.be/yBM7DjqY2Ac
ΠΠΎΠ΄Π±ΠΎΡ Π°ΠΊΠΊΠΎΡΠ΄ΠΎΠ² "Π‘Π΅ΡΡΠ΅ Π³ΡΡΠΈ"
youtu.be/Xzuc67Inp3o
ΠΠΎΠ΄Π±ΠΎΡ Π°ΠΊΠΊΠΎΡΠ΄ΠΎΠ² "ΠΡΡΠΊΠ°"Β
youtu.be/RXDt5Dl-BV8
Β
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Π‘Π»ΡΡΠ°Π½ΠΈΠ΅ ΠΌΡΠ·ΡΠΊΠΈΒ
ΠΠ°ΠΉΠ΄Π½ "Π‘ΡΡΠΏΡΠΈΠ·"
youtu.be/3GMCS-oqJ_k
Π₯ΡΠΌΠΏΠ΅ΡΠ΄ΠΈΠ½Π³ "Π‘ΠΎΠ½"
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Π.Π.ΠΠΎΡΠ°ΡΡ Π‘ΠΈΠΌΡΠΎΠ½ΠΈΡ 40
youtu.be/GZ9GmxOxfGs
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Π£ΠΏΡΠ°ΠΆΠ½Π΅Π½ΠΈΠ΅ 5 ΠΏΠ°Π»ΡΡΠΈΠΊΠΎΠ²
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Π£ΠΏΡΠ°ΠΆΠ½Π΅Π½ΠΈΠ΅ "Π Π°Π΄ΡΠ³Π° ΠΠΎ ΠΌΠ°ΠΆΠΎΡ
youtu.be/RdiDZNoIhe8
Π£ΠΏΡΠ°ΠΆΠ½Π΅Π½ΠΈΠ΅ "Π Π°Π΄ΡΠ³Π°" ΠΠΎ ΠΌΠΈΠ½ΠΎΡ
youtu.be/fRG56W3_8XE
Π£ΠΏΡΠ°ΠΆΠ½Π΅Π½ΠΈΠ΅ "Π Π°Π΄ΡΠ³Π°" ΠΠΊΠΊΠΎΡΠ΄Π° ΠΠΎ ΠΌΠ°ΠΆΠΎΡ
youtu.be/yWOk7rDDNhc
Π£ΠΏΡΠ°ΠΆΠ½Π΅Π½ΠΈΠ΅ "Π Π°Π΄ΡΠ³Π°" ΠΠΊΠΊΠΎΡΠ΄Ρ ΠΠΎ ΠΌΠΈΠ½ΠΎΡΒ
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ΠΠΎΡΠΎΡΠΊΠΎΠ΅ Π°ΡΠΏΠ΅Π΄ΠΆΠΈΠΎ ΠΠΎ ΠΌΠ°ΠΆΠΎΡ
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ΠΠΎΡΠΎΡΠΊΠΎΠ΅ Π°ΡΠΏΠ΅Π΄ΠΆΠΈΠΎ ΠΠΎ ΠΌΠΈΠ½ΠΎΡ
youtu.be/o8vuBy782gY
ΠΠ°ΠΌΠΌΠ° ΠΠΎ ΠΌΠ°ΠΆΠΎΡ ΠΎΡΠ΄Π΅Π»ΡΠ½ΠΎ ΠΏΡΠ°Π²ΠΎΠΉ ΠΈ Π»Π΅Π²ΠΎΠΉ ΡΡΠΊΠΎΠΉ. ΠΠ²ΡΠΌΡ ΡΡΠΊΠ°ΠΌΠΈ Π² ΡΠ°ΡΡ
ΠΎΠ΄ΡΡΠ΅ΠΌΡΡ Π΄Π²ΠΈΠΆΠ΅Π½ΠΈΠΈ
Β
youtu.be/ejziNzNeObE
ΠΠ°ΠΌΠΌΠ° ΠΠΎ ΠΌΠ°ΠΆΠΎΡ Π΄Π²ΡΠΌΡ ΡΡΠΊΠ°ΠΌΠΈ
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Π₯ΡΠΎΠΌΠ°ΡΠΈΡΠ΅ΡΠΊΠ°Ρ Π³Π°ΠΌΠΌΠ° ΠΎΡ ΠΠΒ
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ΠΠ°Π½ΠΎΠ½ N 1
youtu.be/r9C7VSj9F9s
ΠΠ±ΡΠ°ΡΠ΅Π½ΠΈΠ΅ Π°ΠΊΠΊΠΎΡΠ΄ΠΎΠ² ΠΠΎ ΠΌΠ°ΠΆΠΎΡ Π»Π΅Π²ΠΎΠΉ ΡΡΠΊΠΎΠΉ
youtu.be/psrVOqScQho
ΠΠ±ΡΠ°ΡΠ΅Π½ΠΈΠ΅ Π°ΠΊΠΊΠΎΡΠ΄ΠΎΠ² ΠΏΡΠ°Π²ΠΎΠΉ ΡΡΠΊΠΎΠΉ
youtu.be/FQ9EK0kqmgE
Β
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1.Β Soft Mozart Lebanon - Nai Aridi playing: G major scale converging movement
youtu.be/pLHpLMznNQg?si=XY518bx9kIHnExx3
2.Β Soft Mozart Lebanon- Nai Aridi Playing R(H), singing and writing old Mcdonald
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3.Β Soft Mozart Lebanon - Nai Aridi playing Polovetsian dance
youtu.be/5CEDN4Wbz00?si=eYmAKgzwFneY9AV9
4.Β Soft Mozart Lebanon - Nai Aridi Playing R(H), singing and writing Zhuchka in C Β ajor
youtu.be/KLYlLMgo3zo?si=VER467T4ACrQP0nH
5.Β Soft Mozart Lebanon - Nai Aridi playing Radetsky march
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ΠΠΎΠ·Π΄ΡΠ°Π²Π»ΡΠ΅ΠΌ ΠΠ°Ρ!
ΠΡ Π²ΡΠΏΠΎΠ»Π½ΠΈΠ»ΠΈ Π²ΡΠ΅ ΡΡΠ΅Π±ΠΎΠ²Π°Π½ΠΈΡ ΠΠΊΠ°Π΄Π΅ΠΌΠΈΠΈ Π‘ΠΎΡΡ ΠΠΎΡΠ°ΡΡ ΠΈ ΠΊΠ²Π°Π»ΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½Ρ ΠΏΠΎΠ»ΡΡΠΈΡΡ ΠΠΈΠΏΠ»ΠΎΠΌ ΡΡΠΎΠ²Π½Ρ 3.
ΠΠ»Π°Π³ΠΎΠ΄Π°ΡΠΈΠΌ ΠΠ°ΡΠ΅Π³ΠΎ ΠΏΠ΅Π΄Π°Π³ΠΎΠ³Π° - ΠΠΎΠ»Π³ΠΎΠ΄Π²ΠΎΡΠΎΠ²Ρ Π―Π½Ρ ΠΠ»Π°Π΄ΠΈΠΌΠΈΡΠΎΠ²Π½Ρ Π·Π° ΠΠ°ΡΡ ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΡΡ ΠΏΠΎΠ΄Π³ΠΎΡΠΎΠ²ΠΊΡ!
Π‘ΠΏΠ°ΡΠΈΠ±ΠΎ ΠΠ°ΡΠΈΠΌ ΡΠΎΠ΄ΠΈΡΠ΅Π»ΡΠΌ Π·Π° Π·Π°ΠΈΠ½ΡΠ΅ΡΠ΅ΡΠΎΠ²Π°Π½Π½ΠΎΡΡΡ Π² Π·Π°Π½ΡΡΠΈΡΡ
ΠΌΡΠ·ΡΠΊΠΎΠΉ ΠΏΠΎ ΡΠΈΡΡΠ΅ΠΌΠ΅ Π‘ΠΎΡΡ ΠΠΎΡΠ°ΡΡ ΠΏΠΎ ΠΌΠ΅ΡΠΎΠ΄Ρ Π₯Π°ΠΉΠ½Π΅Ρ ΠΈ Π·Π° ΡΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΠΎΠΉ ΡΠ°Π·Π²ΠΈΠ²Π°ΡΡΠ΅ΠΉ ΡΡΠ΅Π΄Ρ Π΄Π»Ρ ΠΠ°Ρ Π΄ΠΎΠΌΠ°. ΠΡΠ΄Π΅Π»ΡΠ½ΠΎΠ΅ ΡΠΏΠ°ΡΠΈΠ±ΠΎ Π·Π° Π²Π΅Π΄Π΅Π½ΠΈΠ΅ Π΄Π½Π΅Π²Π½ΠΈΠΊΠ°!
ΠΠΎΠΆΠ°Π»ΡΠΉΡΡΠ°, Π½Π°ΠΏΠΈΡΠΈΡΠ΅ Π·Π°ΡΠ²ΠΊΡ Π½Π° ΠΠΈΠΏΠ»ΠΎΠΌ Π°Π²ΡΠΎΡΡ ΠΏΡΠΎΠ³ΡΠ°ΠΌΠΌΡ ΠΏΠΎ Π°Π΄ΡΠ΅ΡΡ [email protected]
Π£ΠΊΠ°ΠΆΠΈΡΠ΅:
1. Π£ΡΠΎΠ²Π΅Π½Ρ, ΠΊΠΎΡΠΎΡΡΠΉ Π²Ρ ΡΡΠΏΠ΅ΡΠ½ΠΎ Π·Π°ΠΊΠΎΠ½ΡΠΈΠ»ΠΈ
2. Π‘ΡΡΠ»ΠΊΡ Π½Π° Π΄Π½Π΅Π²Π½ΠΈΠΊ
3. ΠΠΌΡ, ΠΎΡΡΠ΅ΡΡΠ²ΠΎ ΡΠ°ΠΌΠΈΠ»ΠΈΡ Π΄ΠΈΠΏΠ»ΠΎΠΌΠ°Π½ΡΠ° ΠΏΠΎ-ΡΡΡΡΠΊΠΈ
4. ΠΠΌΡ ΠΈ ΡΠ°ΠΌΠΈΠ»ΠΈΡ Π΄ΠΈΠΏΠ»ΠΎΠΌΠ°ΡΠ° Π»Π°ΡΠΈΠ½ΠΈΡΠ΅ΠΉ
5. Π’ΠΎΡΠ½ΡΠΉ ΠΏΠΎΡΡΠΎΠ²ΡΠΉ Π°Π΄ΡΠ΅Ρ ΠΏΠΎΠ»ΡΡΠ°ΡΠ΅Π»Ρ.
ΠΠ°ΠΆΠ½ΠΎ: ΡΠΎΠΎΠ±ΡΠΈΡΠ΅ Π½Π°ΠΌ, ΡΠ²Π»ΡΠ΅ΡΠ΅ΡΡ Π»ΠΈ ΠΡ ΡΠΆΠ΅ ΠΎΠ±Π»Π°Π΄Π°ΡΠ΅Π»Π΅ΠΌ ΠΌΠ΅Π΄Π°Π»ΠΈ ΠΊΠΎΡΠΎΠ»Π΅Π²Ρ Π’ΠΎΠ½ΠΈΠΊΠΈ, ΠΎΡΠ΄Π΅Π½Π° ΠΡ
ΡΠ°Π½Π½ΠΈΠΊΠ°, ΠΌΠ΅Π΄Π°Π»ΠΈ Π€ΡΡΠΉΠ»ΠΈΠ½Ρ, ΠΌΠ΅Π΄Π°Π»ΠΈ Π‘ΡΠ±Π΄ΠΎΠΌΠΈΠ½Π°Π½ΡΡ ΠΈ ΠΎΡΠ΄Π΅Π½Π° ΠΠΎΠΌΠΈΠ½Π°Π½ΡΡ.
Π‘ ΡΠ²Π°ΠΆΠ΅Π½ΠΈΠ΅ΠΌ, ΠΏΠ΅Π΄Π°Π³ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΠΎΠ²Π΅Ρ ΠΠΊΠ°Π΄Π΅ΠΌΠΈΠΈ Π‘ΠΎΡΡ ΠΠΎΡΠ°ΡΡ.
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ΠΠΎΠ·Π΄ΡΠ°Π²Π»ΡΠ΅ΠΌ ΠΠ°Ρ!
ΠΡ Π²ΡΠΏΠΎΠ»Π½ΠΈΠ»ΠΈ Π²ΡΠ΅ ΡΡΠ΅Π±ΠΎΠ²Π°Π½ΠΈΡ ΠΠΊΠ°Π΄Π΅ΠΌΠΈΠΈ Π‘ΠΎΡΡ ΠΠΎΡΠ°ΡΡ ΠΈ ΠΊΠ²Π°Π»ΠΈΡΠΈΡΠΈΡΠΎΠ²Π°Π½Ρ ΠΏΠΎΠ»ΡΡΠΈΡΡ ΠΠΈΠΏΠ»ΠΎΠΌ ΠΏΠΎΠ΄Π³ΠΎΡΠΎΠ²ΠΈΡΠ΅Π»ΡΠ½ΠΎΠ³ΠΎ ΡΡΠΎΠ²Π½Ρ Π‘.
ΠΠ»Π°Π³ΠΎΠ΄Π°ΡΠΈΠΌ ΠΠ°ΡΠ΅Π³ΠΎ ΠΏΠ΅Π΄Π°Π³ΠΎΠ³Π° - ΠΠΎΠ»Π³ΠΎΠ΄Π²ΠΎΡΠΎΠ²Ρ Π―Π½Ρ ΠΠ»Π°Π΄ΠΈΠΌΠΈΡΠΎΠ²Π½Ρ Π·Π° ΠΠ°ΡΡ ΠΏΡΠ΅ΠΊΡΠ°ΡΠ½ΡΡ ΠΏΠΎΠ΄Π³ΠΎΡΠΎΠ²ΠΊΡ!
Π‘ΠΏΠ°ΡΠΈΠ±ΠΎ ΠΠ°ΡΠΈΠΌ ΡΠΎΠ΄ΠΈΡΠ΅Π»ΡΠΌ Π·Π° Π·Π°ΠΈΠ½ΡΠ΅ΡΠ΅ΡΠΎΠ²Π°Π½Π½ΠΎΡΡΡ Π² Π·Π°Π½ΡΡΠΈΡΡ
ΠΌΡΠ·ΡΠΊΠΎΠΉ ΠΏΠΎ ΡΠΈΡΡΠ΅ΠΌΠ΅ Π‘ΠΎΡΡ ΠΠΎΡΠ°ΡΡ ΠΏΠΎ ΠΌΠ΅ΡΠΎΠ΄Ρ Π₯Π°ΠΉΠ½Π΅Ρ ΠΈ Π·Π° ΡΠΎΠ·Π΄Π°Π½ΠΈΠ΅ ΠΌΡΠ·ΡΠΊΠ°Π»ΡΠ½ΠΎΠΉ ΡΠ°Π·Π²ΠΈΠ²Π°ΡΡΠ΅ΠΉ ΡΡΠ΅Π΄Ρ Π΄Π»Ρ ΠΠ°Ρ Π΄ΠΎΠΌΠ°. ΠΡΠ΄Π΅Π»ΡΠ½ΠΎΠ΅ ΡΠΏΠ°ΡΠΈΠ±ΠΎ Π·Π° Π²Π΅Π΄Π΅Π½ΠΈΠ΅ Π΄Π½Π΅Π²Π½ΠΈΠΊΠ°!
ΠΠΎΠΆΠ°Π»ΡΠΉΡΡΠ°, Π½Π°ΠΏΠΈΡΠΈΡΠ΅ Π·Π°ΡΠ²ΠΊΡ Π½Π° ΠΠΈΠΏΠ»ΠΎΠΌ Π°Π²ΡΠΎΡΡ ΠΏΡΠΎΠ³ΡΠ°ΠΌΠΌΡ ΠΏΠΎ Π°Π΄ΡΠ΅ΡΡ [email protected]
Π£ΠΊΠ°ΠΆΠΈΡΠ΅:
1. Π£ΡΠΎΠ²Π΅Π½Ρ, ΠΊΠΎΡΠΎΡΡΠΉ Π²Ρ ΡΡΠΏΠ΅ΡΠ½ΠΎ Π·Π°ΠΊΠΎΠ½ΡΠΈΠ»ΠΈ
2. Π‘ΡΡΠ»ΠΊΡ Π½Π° Π΄Π½Π΅Π²Π½ΠΈΠΊ
3. ΠΠΌΡ, ΠΎΡΡΠ΅ΡΡΠ²ΠΎ ΡΠ°ΠΌΠΈΠ»ΠΈΡ Π΄ΠΈΠΏΠ»ΠΎΠΌΠ°Π½ΡΠ° ΠΏΠΎ-ΡΡΡΡΠΊΠΈ
4. ΠΠΌΡ ΠΈ ΡΠ°ΠΌΠΈΠ»ΠΈΡ Π΄ΠΈΠΏΠ»ΠΎΠΌΠ°ΡΠ° Π»Π°ΡΠΈΠ½ΠΈΡΠ΅ΠΉ
5. Π’ΠΎΡΠ½ΡΠΉ ΠΏΠΎΡΡΠΎΠ²ΡΠΉ Π°Π΄ΡΠ΅Ρ ΠΏΠΎΠ»ΡΡΠ°ΡΠ΅Π»Ρ.
ΠΠ°ΠΆΠ½ΠΎ: ΡΠΎΠΎΠ±ΡΠΈΡΠ΅ Π½Π°ΠΌ, ΡΠ²Π»ΡΠ΅ΡΠ΅ΡΡ Π»ΠΈ ΠΡ ΡΠΆΠ΅ ΠΎΠ±Π»Π°Π΄Π°ΡΠ΅Π»Π΅ΠΌ ΠΌΠ΅Π΄Π°Π»ΠΈ ΠΊΠΎΡΠΎΠ»Π΅Π²Ρ Π’ΠΎΠ½ΠΈΠΊΠΈ, ΠΎΡΠ΄Π΅Π½Π° ΠΡ
ΡΠ°Π½Π½ΠΈΠΊΠ°, ΠΌΠ΅Π΄Π°Π»ΠΈ Π€ΡΡΠΉΠ»ΠΈΠ½Ρ, ΠΌΠ΅Π΄Π°Π»ΠΈ Π‘ΡΠ±Π΄ΠΎΠΌΠΈΠ½Π°Π½ΡΡ ΠΈ ΠΎΡΠ΄Π΅Π½Π° ΠΠΎΠΌΠΈΠ½Π°Π½ΡΡ.
Π‘ ΡΠ²Π°ΠΆΠ΅Π½ΠΈΠ΅ΠΌ, ΠΏΠ΅Π΄Π°Π³ΠΎΠ³ΠΈΡΠ΅ΡΠΊΠΈΠΉ ΡΠΎΠ²Π΅Ρ ΠΠΊΠ°Π΄Π΅ΠΌΠΈΠΈ Π‘ΠΎΡΡ ΠΠΎΡΠ°ΡΡ.
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ΠΠ»Π°Π½Ρ ΡΡΠΎΠ²Π½Ρ Π‘ Π²ΡΠΏΠΎΠ»Π½Π΅Π½Ρ, Π΄Π½Π΅Π²Π½ΠΈΠΊ Π·Π°ΠΊΡΡΡ.
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ΠΠΈΡΡΠΌΠ° ΠΈΠ· Π³ΠΎΡΡΠ΄Π°ΡΡΡΠ²Π° ΠΠ°Π΄.
1. Π§ΡΠΎ ΡΠ°ΠΊΠΎΠ΅ ΡΡΠΌ ΠΈ ΠΌΡΠ·ΡΠΊΠ°?
(ΡΠΎΡΠΎ ΠΏΡΠΎΡΠΌΠΎΡΡΠ° ΡΠΊΠ°Π·ΠΊΠΈ)
2. ΠΠΎΠΆΠ½ΠΎ Π»ΠΈ Π΄Π΅Π»Π°ΡΡ ΠΎΡΠΈΠ±ΠΊΠΈ?
(ΡΠΎΡΠΎ ΠΏΡΠΎΡΠΌΠΎΡΡΠ° ΡΠΊΠ°Π·ΠΊΠΈ)
3. Π‘Π΅ΡΠ΄ΡΠ΅ ΠΌΡΠ·ΡΠΊΠΈ
(ΡΠΎΡΠΎ ΠΏΡΠΎΡΠΌΠΎΡΡΠ° ΡΠΊΠ°Π·ΠΊΠΈ)
4. 2 ΠΈΠ»ΠΈ 3 Π΄ΠΎΠ»ΠΈ
(ΡΠΎΡΠΎ ΠΏΡΠΎΡΠΌΠΎΡΡΠ° ΡΠΊΠ°Π·ΠΊΠΈ)
5. Π’ΠΎΠ½ΠΈΠΊΠ° ΠΈ ΠΡ
ΡΠ°Π½Π½ΠΈΠΊ
(ΡΠΎΡΠΎ ΠΏΡΠΎΡΠΌΠΎΡΡΠ° ΡΠΊΠ°Π·ΠΊΠΈ)
6. Π€ΡΠ΅ΠΉΠ»ΠΈΠ½Π°
(ΡΠΎΡΠΎ ΠΏΡΠΎΡΠΌΠΎΡΡΠ° ΡΠΊΠ°Π·ΠΊΠΈ)
ΠΠΈΡΡΠΌΠ° Ρ 1 ΠΏΠΎ 10-ΠΎΠ΅:
(ΡΡΡΠ»ΠΊΠ° Π½Π° Π²ΠΈΠ΄Π΅ΠΎ Ρ ΠΊΡΠ°ΡΠΊΠΈΠΌΠΈ ΠΎΡΠ²Π΅ΡΠ°ΠΌΠΈ)
ΠΠ΅ΡΠ²ΡΠΉ ΠΊΡΡΠ³ ΠΡΠ·ΡΠΊΠ°Π»ΡΠ½ΠΎΠ³ΠΎ Π°Π»ΡΠ°Π²ΠΈΡΠ°
(ΡΡΡΠ»ΠΊΠ° Π½Π° Π²ΠΈΠ΄Π΅ΠΎ)
Π ΠΠ’ΠΠΠ§ΠΠ‘ΠΠΠ ΠΠΠΠ’ΠΠΠ’.
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ΡΠ°Π½Π½ΠΈΠΊΠ°.
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